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## Linux Recording |
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* Compression (ACE Compressor): 10:24:46 [1/673] |
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* Use this sparingly. If you must use it, keep the ratio low (1.5:1 or 2:1) |
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with a slow attack to preserve the natural "pluck" of the fingernails. |
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* Limiter (x42-Limiter): |
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* Place this last on your Master bus with a ceiling of -1.0 dB just to prevent |
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clipping during aggressive transients. |
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2. Specific Ardour Settings |
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* Sample Rate: Record at 48kHz or 96kHz if your interface supports it. Classical |
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music benefits from the higher resolution for delicate harmonic content. |
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* Buffer Size: While recording, keep your buffer low (128 or 256 samples) to |
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minimize latency. When mixing with heavy reverb plugins, you can increase this to |
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1024. |
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* Gain Staging: Aim for your meters to peak between -12 dB and -6 dB. This provides |
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plenty of headroom for the guitar's natural dynamics without risking digital |
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distortion. |
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* Monitor Path: Use the "Hardware Monitoring" setting if your interface supports it |
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to avoid hearing any processing delay while performing. |
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3. Recording Workflow Tips |
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* Stereo vs Mono: Classical guitar almost always sounds better in Stereo. Use a |
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matched pair of small-diaphragm condensers in an XY or ORTF configuration. |
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* Input Strips: Create a Stereo Track in Ardour rather than two mono tracks to make |
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EQ and Reverb management easier. |
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* Normalization: After recording, avoid "Normalize" to 0dB. Use Loudness |
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Normalization (LUFS) if you need to match industry standards, typically aiming |
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for -23 LUFS for classical content. |
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